Collection of Lyle Wilson artifact and photo donations. Includes a folder containing documents pertaining to donated items. Also includes books "The Haisla People" with information about the Haisla and families and clans and "Paint." There is also a pamphlet from the Museum of Anthropology titles "Lyle Wilson: When Worlds Collide."
Lyle was born into the Beaver Clan but was adopted into his father's Eagle Clan in a move to bolster the group's diminishing numbers. The event had an immense impact on Lyle's life and inspired much of his art. In 2012, Lyle created a solo exhibition Paint, a life-long exploration of Haisla art, language and culture. Lyle's primary artistic influence was his uncle, Sammy Robinson. Lyle would watch the older man and copy him, whittling his own pieces. But it wasn't until Lyle attended the University of British Columbia (UBC) that he contemplated art as a potential profession. He initially focused on art education but found the studio more alluring. Eventually, Lyle left UBC to study printmaking at the Emily Carr College of Art and Design, where he developed a personal style in graphics and three-dimensional wood and jewelry compositions. Lyle was an artist in residence at the UBC Museum of Anthropology (MOA). His pieces are shown at institutions in Canada and Japan.
Scope and Content
Collection of Lyle Wilson artifact and photo donations. Includes a folder containing documents pertaining to donated items. Also includes books "The Haisla People" with information about the Haisla and families and clans and "Paint." There is also a pamphlet from the Museum of Anthropology titles "Lyle Wilson: When Worlds Collide."
Notes
Lyle Wilson has made this large donation over many years to have a lasting presence at the Kitimat Museum & Archives. Documentation is 2021.26 and artifacts each have individual accession numbers and records with locations identified.
996.1.1
2001.1.1,3-9,12-14
2001.31
2001.31.1
2006.9
2006.18
2007.21
2008.11
2009.21
2016.65.2
2018.19.1-4
2019.2.1-3
Photographer Arthur Renwick documented the setting of a conical net for eulachon on the Kildala River, 1982. The conical net is a traditional method of eulachon harvesting.
Scope and Content
Setting the conical net for eulachon with Tom Nyce, Fred Williams, Lloyd Starr, Sampson Ross. On the Kildala River.
Notes
Photographs are restricted, Arthur Renwick Jr. has requested they be used for Museum research only.
Title based on content of fond.
