Photographs of the Kildala River just after the eulachon harvest, stirring and boiling the eulachon, a eulachon bin after ripening, draining the eulachon boiler, and the final boiling of the eulachon oil with hot stones.
7 photographs prints : color ; 9 x 13cm
4 photograph prints : color ; 13 x 17.5cm
Custodial History
Photographs taken by James Tirrul-Jones in his position as curator of the Kitimat Museum
Scope and Content
Photographs of the Kildala River just after the eulachon harvest, stirring and boiling the eulachon, a eulachon bin after ripening, draining the eulachon boiler, and the final boiling of the eulachon oil with hot stones.
Possibly James Tirrul-Jones collection
Info cards were included in same envelope as photos. Possibly relating to neagtives.
Card 1: Eulachon Harvest Kemano early May. Totem pole. No Print. Totem pole Kemano close-up Neg# R17-71 Acc# 982.53.8
Card 2: Eulachon nets. No print. Neg# R17-15 Acc# 982.53.15B
2 photographs of the barbeque at the Haisla Homecoming and a photo of a dugout canoe.
18 photographs of Children's Day Summer Players Theatre and Museum displays overcrowded museum situation
Photographs taken by James Tirrul-Jones in his role as museum curator.
Scope and Content
2 photographs of the barbeque at the Haisla Homecoming and a photo of a dugout canoe.
18 photographs of Children's Day Summer Players Theatre and Museum displays overcrowded museum situation
Photographs of a proposed model for a Haisla technology display, a temporary display of oriental water colors by Eva Vedel, and a eulachon net display.
3 photograph prints : color ; 9 x 13cm
1 photograph print : color ; 9 x 18cm
Custodial History
Photographs taken by James Tirrul-Jones in his role as museum curator.
Scope and Content
Photographs of a proposed model for a Haisla technology display, a temporary display of oriental water colors by Eva Vedel, and a eulachon net display.
Notes
982.63.9 to 19 (Missing 11 to 17) : R24-8 to R24-19A (Missing R24-10A to R24-16A)
Negatives showing the different stages of construction on the Eurocan wharf. Alcan can be seen in the background of some images. Two negatives are of Minette Bay where Eurocan has a stock pile of logs floating on the water and on barges.
Negatives showing the different stages of construction on the Eurocan wharf. Alcan can be seen in the background of some images. Two negatives are of Minette Bay where Eurocan has a stock pile of logs floating on the water and on barges.
