Lid was used for covering mixing bowl while dough was rising. Mechanism is a piece of the bowl. It is the handle part for mixing dough by hand. Brand name " Eclipse".
Lid was used for covering mixing bowl while dough was rising. Mechanism is a piece of the bowl. It is the handle part for mixing dough by hand. Brand name " Eclipse".
Each has a string holding hook in place. Some sinew used this hook is slightly sprung. The hooks have been rubbed with spruce gum and hemlock boughs to hide scent of humans.
1-Sinew bound, string beneath. Sinew-halibut hook Dimensions: 18cm long at longest point. 6 1/2 cm at widest point Condition: rusted but good condition
2-String holding hook projection in place. Some sinew is used on this hook. Dimensions: 16 cm at longest point, 6 1/2 cm at widest point Condition: hook is slightly sprung, also rusted-string intact, some sinew has fallen off
Each has a string holding hook in place. Some sinew used this hook is slightly sprung. The hooks have been rubbed with spruce gum and hemlock boughs to hide scent of humans.
1-Sinew bound, string beneath. Sinew-halibut hook Dimensions: 18cm long at longest point. 6 1/2 cm at widest point Condition: rusted but good condition
2-String holding hook projection in place. Some sinew is used on this hook. Dimensions: 16 cm at longest point, 6 1/2 cm at widest point Condition: hook is slightly sprung, also rusted-string intact, some sinew has fallen off
According to Samuel Robinson Jr. the net was made by a woman named gatya. The net was 1 of 6 owned by the women. The other 5 were burned out of respect for the dead.
According to Samuel Robinson Jr. the net was made by a woman named gatya. The net was 1 of 6 owned by the women. The other 5 were burned out of respect for the dead.
Photograph of Micah Shaw carving a canoe with possibly Charlie Shaw, his son, and heating rocks for the steaming with a boat in background.
Notes
According to Mike Robinson, the small winding creek at the far right as known as Qwenish, and was a route the Haida would sometims take inland to raid the Haisla.
Part of series of seven photographs depicting the construction of a canoe using traditional tools and methods.
James McNay was born in Ayrshire, Scotland, on January 31, 1907. Between 1951 and 1953, he worked in the payroll department for Alcan. He had to leave his wife Effie and his two young daughters, Margaret and Diane, aged 6 and 5 in 1951, at home in Surrey, B.C., during his 3-4 month stints in Kitimat. To fill some of his free time and show his family where he was and what Kitimat was like, he spent many hours walking in the area with a 35mm Kodak camera. He photographed the scenic beauty of the area and parts of the construction of both the smelters and the town. He died in Surrey on August 7, 1983.
Custodial History
Donated by Margaret McNay. Images were taken by her father and sent to their family in Surrey in the 1950s.
Scope and Content
Slide showing rocky wall with forest on top, and a dirt road at the bottom. Likely around smeltersite area.
Photo depicts a International diesel TD-24 spreading a layer of large stones at the base of the Nechako Dam.
Notes
ID no. C 5927. -- Title based on content of photo. -- These layers of various size rock stone and clay will all slope towards the rock fill at about a 45 degree pitch. Official naming ceremony renamed dam the Kenney Dam. Hal Whiting Collection 985.65.56
Malcolm Baxter died in 2020. His father Basil, was very instrumental in the organization of Kitimat in the early years. Basil was married to Cathy Baxter and they had two sons - Malcolm and Michael.
Custodial History
Part of items collected by Malcolm Baxter, former editer of NSP. Brought into the museum by Judith Cullington, Malcolm's sister-in-law.
Scope and Content
Photograph of rock-rap along sandhill frontage on Kitimat River, looking south.
Jamieson came to Kitimat from Vancouver to work on the Alcan project in 1952. With his first pay cheque he bought a small "Pony Kodak" camera at the local store (Hudson Bay?), and started taking coloured slides of the Kitimat from 1952-1953. Left Kitimat at the end of August 1953 to move to Montreal.
Scope and Content
Slide of "hotsprings" (smoldering fire) behind sandhill.
Jamieson came to Kitimat from Vancouver to work on the Alcan project in 1952. With his first pay cheque he bought a small "Pony Kodak" camera at the local store (Hudson Bay?), and started taking coloured slides of the Kitimat from 1952-1953. Left Kitimat at the end of August 1953 to move to Montreal.
