Large wooden plaque.
The plaque took over 5,000 hours to complete, from 1965 to 1967. Fifteen hardwood veneers were used including walnut, yew, maple, cherry, and mahogany.
The plaque depicts our ten provinces, each with a coat of arms that includes symbols of the provincial resources and manufacturing. Western provinces are on the left—when facing the plaque – and eastern provinces are on the right. All provincial coat of arms hang on a chain linking them together in the shape of an eagle watching over the provinces. Religion and government are represented with a church and the parliament buildings in Ottawa inside a face, representative of one—a complete nation with music, sport, industry and religion. On the maple leaf stalk there are two beavers.
The first Canadian house, a teepee, has two men seated inside—a First Nations man wearing a headdress and an RCMP officer in uniform, both smoking pipes, symbols of peace. A knot in the wood has been strategically placed by Mr. Dal Monte as the eye of the RCMP officer.
Large wooden plaque.
The plaque took over 5,000 hours to complete, from 1965 to 1967. Fifteen hardwood veneers were used including walnut, yew, maple, cherry, and mahogany.
The plaque depicts our ten provinces, each with a coat of arms that includes symbols of the provincial resources and manufacturing. Western provinces are on the left—when facing the plaque – and eastern provinces are on the right. All provincial coat of arms hang on a chain linking them together in the shape of an eagle watching over the provinces. Religion and government are represented with a church and the parliament buildings in Ottawa inside a face, representative of one—a complete nation with music, sport, industry and religion. On the maple leaf stalk there are two beavers.
The first Canadian house, a teepee, has two men seated inside—a First Nations man wearing a headdress and an RCMP officer in uniform, both smoking pipes, symbols of peace. A knot in the wood has been strategically placed by Mr. Dal Monte as the eye of the RCMP officer.
Physical Condition
Good
Material
Wood
Date Range
1965-1967
Accession Number
2016.3.1
Biographical Notes
This plaque was created by Mr. Dal Monte to celebrate and honour his new home, Canada. Mr. Dal Monte conducted extensive research to learn about the provinces. He had always wanted to create inlay and thought of this project to commemorate the Canadian centennial. The new flag was being planned at the time, and Kitimat was multi-ethnic with 60+ nationalities represented and all working together.
Plaque displaying names of Preceptor Gamma Epsilon Girls of the Year from 1983 to 2002. Made of dark brown wood, cut in a heart-like shape, with yellow flowers painted near the top. Rectangular metal plaque outlined in black reads: "Preceptor Gamma Epsilon Girl of the Year." Girls' names and years are on smaller, shield-shaped metal plaques.
Plaque displaying names of Preceptor Gamma Epsilon Girls of the Year from 1983 to 2002. Made of dark brown wood, cut in a heart-like shape, with yellow flowers painted near the top. Rectangular metal plaque outlined in black reads: "Preceptor Gamma Epsilon Girl of the Year." Girls' names and years are on smaller, shield-shaped metal plaques.
Physical Condition
Excellent
Material
Wood
metal
Style
Tole painting
Condition Remarks
Some minor marks on the mini-plaques.
Height
27.5 cm
Length
35 cm
Inscriptions
Margaret Kelly; Heather Lovett; Marianne Sweet, Jo Ann Hildebrandt, 'The Chapter,' Lynda Knol; Valerie Morton; Elaine Bjorgaard; Marlene Collier; Maureen Braun; Ruth Brady; Eleanor Kendell; Laura Schroeder; Joan Borycki; Ann Brown; Monica Brady; Sue Newton; Pat Young
The fonds consists of minutes, financial records, correspondence, constitutions, and files pertaining to the Arts and Crafts Fairs, the creation of K.O.A.T.A. and a Juried Art Show. Also includes 4 rubber stamps, and an album containing clippings, pamphlets and photos, gallary forms, Kitimat Community Arts Council logo, and a guest book.
Founded in 1970, incorporated in 1971, the role of the Kitimat Community Arts Council was to increase and broaden the opportunities for Kitimat citizens to enjoy and to participate in cultural and creative arts activities. Some of these activities include Arts and Crafts Fairs, sponsoring cultural performances and lobbying for funding for the Mount Elizabeth Theatre building. The council also sponsored K.A.O.T.A., a store selling local arts and crafts. The council disbanded in 1994.
Scope and Content
The fonds consists of minutes, financial records, correspondence, constitutions, and files pertaining to the Arts and Crafts Fairs, the creation of K.O.A.T.A. and a Juried Art Show. Also includes 4 rubber stamps, and an album containing clippings, pamphlets and photos, gallary forms, Kitimat Community Arts Council logo, and a guest book.
Notes
Title based on the contents of the fonds. 2 boxes + guest book.
Formed in 1957, the Kitimat Fine Arts Association promoted cultural events in Kitimat, including art shows, symphony performances and workshops on art. The Association became inactive in 1960.
Scope and Content
The fonds consists of the minutes of meetings of the Kitimat Fine Arts Association.
Rectangular wooden plaque with carved MIYA (fish) in the center. The frame is of dark red cedar, while the miya is of lighter-coloured alder. Corners are rounded. Back has a thread strung between two hooks in order to hang it. Piece is an example of Wilson's early carving that made use of scrap wood from larger projects.
Rectangular wooden plaque with carved MIYA (fish) in the center. The frame is of dark red cedar, while the miya is of lighter-coloured alder. Corners are rounded. Back has a thread strung between two hooks in order to hang it. Piece is an example of Wilson's early carving that made use of scrap wood from larger projects.
Physical Condition
Excellent
Material
cedar
alder
Technique
carved
Culture
Haisla
Condition Remarks
Some scratches in the wood on the back.
Height
2 cm
Width
20 cm
Length
35.3 cm
Date Range
1992-1994
Accession Number
2021.9.3
Biographical Notes
Lyle Wilson (b. 1955) is a Haisla artist from Kitimaat Village. His repertoire includes wood carving, painting, metalworking and glassworking. His art has been sold and displayed across North America, Europe, and Asia.
