Documentary film consisting of four segments set in different countries (Italy, Haiti, Canada, Norway) exploring the dual themes of humanity's power to build and to destroy. The Canadian section focuses on the development of Kitimat and the Kemano project, particularly the tensions between various immigrant groups in the new town. A soccer match between two teams is shown.
The documentary "Power Among Men" (1959) was produced by the United Nations Film Service and directed by Alexander Hammid, Gian Luigi Polidoro, and V.R. Sarma.
Custodial History
The 2 original reels of "Power Among Men" were donated to the District of Kitimat by the UN in 1959, and from the DoK to the Kitimat Museum and Archves on May 19th 1983. In 2001, the reels were donated to the BC Archives and a VHS copy of the film was received by the Museum in exchange. A digital copy of the film is now held by the Kitimat Museum and the segment on Kitimat is shown to guests as part of the "City of Tomorrow" exhibit.
Scope and Content
Documentary film consisting of four segments set in different countries (Italy, Haiti, Canada, Norway) exploring the dual themes of humanity's power to build and to destroy. The Canadian section focuses on the development of Kitimat and the Kemano project, particularly the tensions between various immigrant groups in the new town. A soccer match between two teams is shown.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Film of Mike Kinnear's trip to Kemano in January 1955. Black & white. Produced on a 8mm Cine-Kodak Kodachrome safety color film, daylight type.
