Black book containing "History of our Cabin up Clague Mt.," photocopies of the cabin's logbook from September 1960 to January 1969, several photocopied pictures from 1970, a typewritten logbook of local and regional excursions taken by the Mendel family from 1963 to 1968, and several newspaper articles.
This material relates to a cabin on Clague Mountain, originally begun by Robert 'Bob' Hesse in the late 1950s and completed by Gisela's husband Hans in 1960. It remained in the Mendel family for 15 years before being demolished in 1975.
Custodial History
Donated to the Museum by Mendel's daughter, Fredrika Lyne, on November 14th 2023.
Scope and Content
Black book containing "History of our Cabin up Clague Mt.," photocopies of the cabin's logbook from September 1960 to January 1969, several photocopied pictures from 1970, a typewritten logbook of local and regional excursions taken by the Mendel family from 1963 to 1968, and several newspaper articles.
This fonds consists of materials created or collected by Gisela Mendel throughout her time in British Columbia, particularly during her tenure as the Museum's first curator (1969-1981). It is divided into three series:
Series 1: Photographs - approx. 330 photographs, negatives, and slides taken by Gisela Mendel, showing the local area, flora and fauna, Museum displays, Kitamaat Village and its residents, traditional Haisla cultural activities, etc.
Series 2: Kitimat Flora Collection - 12 boxes of pressed and dried flora from the local area, with associated information.
Series 3: Logbooks and scrapbooks - logbooks from Clague and Squirrel Mountains (1957-1969), accounts of Mendel family outings (1963-1968), scrapbook/photo album from Stikine road trip (1999), textual material and photos on regional hiking rails from binder on assembled by Gisela.
Series 4: Maps - 23 regional maps collected and annotated by Gisela.
ca. 10.5 cm textual material (logbooks, scrapbooks)
23 maps
History / Biographical
Gisela Heimbach Mendel was the first curator of the Kitimat Museum and Archives (then known as the Kitimat Centennial Museum). She was born in Germany in 1922 and worked as a pharmacist in East Prussia when the Russians invaded. She fled the Russians and immigrated to Canada in 1952 with her husband, Hans, and their children. Unhappy with the geography of Southern Ontario - in her words, she was a "mountain woman" - she chose Kitimat as her home.
In her earliest years in Kitimat (beginning 1956), Gisela collected botanical specimens for the Royal BC Museum in Victoria. She served as the first curator of the Kitimat Centennial Museum from the building's opening in 1969 until her retirement in 1981, when she and Hans moved to Smithers. Gisela was responsible for not only showcasing local art and history, but building a strong and varied permanent collection of artifacts and archival items upon which future curators could build.
As she was working in a relatively young community, town history was not considered a priority so much as regional history, natural history and Haisla First Nations cultural traditions, which Gisela documented with great intensity. One of her projects was creating an ethno-botanical dictionary with the help of Haisla elders, identifying the Haisla names and traditional uses for various plants. In 1972, the Northern Sentinel reported that each weekend Gisela made the rounds of her secret botanical hunting grounds to replace the display of floral specimens in her exhibits. She was a tremendous record-keeper and journalist, had a great life of the outdoors, and developed many close friendships in Kitimat and Kitamaat Village. Her thirst for information was incredible, and the Museum and the community benefitted immensely from her passion for gathering and recording knowledge. In the 1990s she received the Award of Merit from the BC Museums Association in recognition of her work. She passed away in 2008.
Custodial History
Materials in this fonds were created by Gisela Mendel during her time as Museum Curator, or donated by her, her family members, or other community members following her retirement.
Scope and Content
This fonds consists of materials created or collected by Gisela Mendel throughout her time in British Columbia, particularly during her tenure as the Museum's first curator (1969-1981). It is divided into three series:
Series 1: Photographs - approx. 330 photographs, negatives, and slides taken by Gisela Mendel, showing the local area, flora and fauna, Museum displays, Kitamaat Village and its residents, traditional Haisla cultural activities, etc.
Series 2: Kitimat Flora Collection - 12 boxes of pressed and dried flora from the local area, with associated information.
Series 3: Logbooks and scrapbooks - logbooks from Clague and Squirrel Mountains (1957-1969), accounts of Mendel family outings (1963-1968), scrapbook/photo album from Stikine road trip (1999), textual material and photos on regional hiking rails from binder on assembled by Gisela.
Series 4: Maps - 23 regional maps collected and annotated by Gisela.
In 1987, Max Patzelt donated his photograph and negative collection - over 10,000 images - to the Museum. This talented and prolific photographer and businessman operated Kitimat Photo Supply and Max's Photo Studio for over 25 years.
Max took portraits of Kitimat citizens - babies, wedding parties, school classes, sports teams, local government - and recorded events for the Northern Sentinel and Alcan's ingot. School District No. 80 published many of Max's photos in promotional materials to attract teachers to Kitimat. Max photographed for Alcan and processed prints for the ingot.
Max became a resident of Kitimat in 1956 when he hired on at Alcan as a stud puller. He arrived in Kitimat with a camera around his neck. After a year in the lines, he had had enough. He resigned from Alcan, packed his bags and headed for the CN station to head to Vancouver.
Fred Ryan had recently established his photo studio, Kitimat Photo, retail photo processing and the town's only industrial photographers located in the Smeltersite recreation hall. Fred had heard of Max's photographic knowledge and rushed to the train station to offer Max a job running the new processing machine.
Max joined Kitimat Photo and was quickly "up to his ears in negatives" (ingot, May 22, 1987). They couldn't keep photographic equipment in stock - everyone who came for work in Kitimat purchased a camera. Max recalled that during the July 1 parade in 1957, he processed approximately 3,000 rolls of black and white film. It took days to process them all. With a new town and smelter, and surrounded by innovation, photography was just booming in Kitimat. Alcan wanted to document its construction events for both town and smelter, and workers wanted to document their time here.
Max and partner, Hazel Hatton, opened Kitimat Photo Supply Ltd. in City Centre in 1960. Max and Hazel operated the business until 1967 when Max moved the portrait studio, Max's Photo Studio Ltd., to Service Centre, and operated until 1987. Hazel kept the retail business Kitimat Photo in City Centre and operated until 1985.
Scope and Content
Three green binders containing the Max Patzelt Photo Collection Directory.
