Negatives showing aerials & ground images of the Eurocan Pulp & Paper Mill with visual signs of parts of the mill in operation. A couple negatives show the town of Kitimat with Eurocan in the distant background.
Negatives showing aerials & ground images of the Eurocan Pulp & Paper Mill with visual signs of parts of the mill in operation. A couple negatives show the town of Kitimat with Eurocan in the distant background.
Negatives showing large steel parts for the mill and other steel structures that were on the Eurocan site after roughly the first 1.5 years of construction.
Negatives showing large steel parts for the mill and other steel structures that were on the Eurocan site after roughly the first 1.5 years of construction.
Negatives showing the earliest construction for the Eurocan Pulp & Paper Mill. Clearing of land and construction of dirt roads can be seen.
Notes
**IMPORTANT NOTE** - Negative slide sleeves are labelled as 2004.16.* , where * represents the item number in each series.
80001, 80003, 80004, 80006, 80011, 80013, 80017, 80045, 80047, 80052, 80054, 80058
Negatives showing logs that have been collected and stored in the water, logs that are piled on land, large cranes lifting bunches of logs and logging trucks being loaded/unloaded.
Negatives showing logs that have been collected and stored in the water, logs that are piled on land, large cranes lifting bunches of logs and logging trucks being loaded/unloaded.
Negatives showing Eurocan people posing for a photo and at a dinner gathering at The Chalet in Kitimat. There is also images of workers working at the mill.
Negatives showing Eurocan people posing for a photo and at a dinner gathering at The Chalet in Kitimat. There is also images of workers working at the mill.
Negatives showing the state of some of the machines and structures for the Eurocan Pulp & Paper Mill after approximately two years of site construction.
Negatives showing the state of some of the machines and structures for the Eurocan Pulp & Paper Mill after approximately two years of site construction.
Negatives showing the different stages of construction on the Eurocan wharf. Alcan can be seen in the background of some images. Two negatives are of Minette Bay where Eurocan has a stock pile of logs floating on the water and on barges.
Negatives showing the different stages of construction on the Eurocan wharf. Alcan can be seen in the background of some images. Two negatives are of Minette Bay where Eurocan has a stock pile of logs floating on the water and on barges.
John Ware was a past employee of the Kitimat Town Planning Department (1957-1959). He was hired by Hollister Kent, Planning Director for Kitimat. During his two years here, Dr. ware designed the first Kitimat street signs, the Haisla Boulevard overpass, and the Hirsch Creek Park shelter centennial project (1858-1958). He was layed off when Alcan lost major Aluminum buyers and the town expansion halted, resulting in a cut back of Kirtimat employees. He then moved to the USA.
Custodial History
Donated by John Ware.
Scope and Content
Photographs of the Hirsch Creek shelter planning, construction, and completed structure.
Three black & white images show planning. One concept sketch, and two copies of a plan showing different angles of the structure.
Two colour images of construction showing interior
Two sepia images showing completed structure and view of interior
One small black & white image of near completion, with construction sacffolding on outer wall. A woman is next to it.
Four black & white images of completed roof. Woman standing on roof in one.
Ten black & white images of completed structure in winter. Sculpture is visible.
Notes
Further info on the shelter - the shelter was one of about five ideas that John Ware was asked to come up with by the Kitimat Centennial Committee. He then decided the this version would be the one to fit the build. The yellow glazed bricks were imported from Texas, even though they were ordered from a Canadian firm. He wanted a bright permanent colour that would require little maintenece. The 'sculpture' was made of pieces of triangular sheet steel on steel supports, with a colored enamel finish - similar to the original fireplace, which was red. The triangular sheets that made up the sculpture yellow and green? and intended to look like steel fir trees. The likely reason the sculpture was removed was that there was a fear if anyone climbed onto the shelter and jump down, they may impale themselves on the sharp steel.
