Micheal Kinnear Citizenship 1956 plaque. Front is metal, with a wooden backing. Shield shaped. Organizational Objects
Physical Condition
fair
Material
wood, metal
Condition Remarks
metal front is scratched and tarnished
Height
17cm
Width
12.7cm
Date Range
1956
Accession Number
2000.33.597
Biographical Notes
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Plaque commemorating the Penstock Inspection Party event. Shield shaped with wooden backing with aluminum front. Image shows turbine and penstock, and text reads "R.K. Haun Penstock Inspection Party Kemano June 1961".
Plaque commemorating the Penstock Inspection Party event. Shield shaped with wooden backing with aluminum front. Image shows turbine and penstock, and text reads "R.K. Haun Penstock Inspection Party Kemano June 1961".
Physical Condition
Good
Material
metal
Wood
Height
21.5cm
Width
20.5cm
Accession Number
2021.51.3a
Biographical Notes
The Hauns lived in Kemano, 1955-1969. Ken Haun wass Bev's father.
Large wooden plaque.
The plaque took over 5,000 hours to complete, from 1965 to 1967. Fifteen hardwood veneers were used including walnut, yew, maple, cherry, and mahogany.
The plaque depicts our ten provinces, each with a coat of arms that includes symbols of the provincial resources and manufacturing. Western provinces are on the left—when facing the plaque – and eastern provinces are on the right. All provincial coat of arms hang on a chain linking them together in the shape of an eagle watching over the provinces. Religion and government are represented with a church and the parliament buildings in Ottawa inside a face, representative of one—a complete nation with music, sport, industry and religion. On the maple leaf stalk there are two beavers.
The first Canadian house, a teepee, has two men seated inside—a First Nations man wearing a headdress and an RCMP officer in uniform, both smoking pipes, symbols of peace. A knot in the wood has been strategically placed by Mr. Dal Monte as the eye of the RCMP officer.
Large wooden plaque.
The plaque took over 5,000 hours to complete, from 1965 to 1967. Fifteen hardwood veneers were used including walnut, yew, maple, cherry, and mahogany.
The plaque depicts our ten provinces, each with a coat of arms that includes symbols of the provincial resources and manufacturing. Western provinces are on the left—when facing the plaque – and eastern provinces are on the right. All provincial coat of arms hang on a chain linking them together in the shape of an eagle watching over the provinces. Religion and government are represented with a church and the parliament buildings in Ottawa inside a face, representative of one—a complete nation with music, sport, industry and religion. On the maple leaf stalk there are two beavers.
The first Canadian house, a teepee, has two men seated inside—a First Nations man wearing a headdress and an RCMP officer in uniform, both smoking pipes, symbols of peace. A knot in the wood has been strategically placed by Mr. Dal Monte as the eye of the RCMP officer.
Physical Condition
Good
Material
Wood
Date Range
1965-1967
Accession Number
2016.3.1
Biographical Notes
This plaque was created by Mr. Dal Monte to celebrate and honour his new home, Canada. Mr. Dal Monte conducted extensive research to learn about the provinces. He had always wanted to create inlay and thought of this project to commemorate the Canadian centennial. The new flag was being planned at the time, and Kitimat was multi-ethnic with 60+ nationalities represented and all working together.
Illustration of a man using a stump puller. Based on stump puller under 969.18.1. Ted Gofers, collected the stump puller in Terrace, BC on Oct. 14, 1969. It is from the turn of the century and was used during the construction days. Kalum Lake shore, near Telegraph cabin, and Rosswood area, North of Terrace.
Illustration of a man using a stump puller. Based on stump puller under 969.18.1. Ted Gofers, collected the stump puller in Terrace, BC on Oct. 14, 1969. It is from the turn of the century and was used during the construction days. Kalum Lake shore, near Telegraph cabin, and Rosswood area, North of Terrace.
Plaque displaying names of Preceptor Gamma Epsilon Girls of the Year from 1983 to 2002. Made of dark brown wood, cut in a heart-like shape, with yellow flowers painted near the top. Rectangular metal plaque outlined in black reads: "Preceptor Gamma Epsilon Girl of the Year." Girls' names and years are on smaller, shield-shaped metal plaques.
Plaque displaying names of Preceptor Gamma Epsilon Girls of the Year from 1983 to 2002. Made of dark brown wood, cut in a heart-like shape, with yellow flowers painted near the top. Rectangular metal plaque outlined in black reads: "Preceptor Gamma Epsilon Girl of the Year." Girls' names and years are on smaller, shield-shaped metal plaques.
Physical Condition
Excellent
Material
Wood
metal
Style
Tole painting
Condition Remarks
Some minor marks on the mini-plaques.
Height
27.5 cm
Length
35 cm
Inscriptions
Margaret Kelly; Heather Lovett; Marianne Sweet, Jo Ann Hildebrandt, 'The Chapter,' Lynda Knol; Valerie Morton; Elaine Bjorgaard; Marlene Collier; Maureen Braun; Ruth Brady; Eleanor Kendell; Laura Schroeder; Joan Borycki; Ann Brown; Monica Brady; Sue Newton; Pat Young
Small, yellow cedar totem pole featuring Qolun (beaver) on one side, and Ikstookoya (eagle) on the other side. Used as a reference while carving the large house post at the UBC First Nations House of Learning.
Small, yellow cedar totem pole featuring Qolun (beaver) on one side, and Ikstookoya (eagle) on the other side. Used as a reference while carving the large house post at the UBC First Nations House of Learning.
Setting The Conical Net illustration by Lyle Wilson. Black ink on white paper. Shows three men in a canoe with a net in the water below them, and eulachon getting carried into the net by the river's current. The structure of the net is also explained. This image is featured in the book "Eulachon A Fish to Cure Humanity" on page 16.
Setting The Conical Net illustration by Lyle Wilson. Black ink on white paper. Shows three men in a canoe with a net in the water below them, and eulachon getting carried into the net by the river's current. The structure of the net is also explained. This image is featured in the book "Eulachon A Fish to Cure Humanity" on page 16.
Rectangular wooden plaque with carved MIYA (fish) in the center. The frame is of dark red cedar, while the miya is of lighter-coloured alder. Corners are rounded. Back has a thread strung between two hooks in order to hang it. Piece is an example of Wilson's early carving that made use of scrap wood from larger projects.
Rectangular wooden plaque with carved MIYA (fish) in the center. The frame is of dark red cedar, while the miya is of lighter-coloured alder. Corners are rounded. Back has a thread strung between two hooks in order to hang it. Piece is an example of Wilson's early carving that made use of scrap wood from larger projects.
Physical Condition
Good
Material
cedar
alder
Technique
carved
Culture
Haisla
Condition Remarks
Two scrapes in the wood - one on the upper frame and one on the background above the back fin - caused when case lid fell on it while being lowered by staff, March 6th 2024.
Some scratches in the wood on the back.
Height
2 cm
Width
20 cm
Length
35.3 cm
Date Range
1992-1994
Accession Number
2021.9.3
Biographical Notes
Lyle Wilson (b. 1955) is a Haisla artist from Kitimaat Village. His repertoire includes wood carving, painting, metalworking and glassworking. His art has been sold and displayed across North America, Europe, and Asia.
