23 maps of northwestern British Columbia, from the Seven Sisters westward to Port Essington.
2018.9.1a-b – Seven Sisters / Dorreen
2018.9.2a-c – Usk / Chist Creek
2018.9.3a-c – Lakelse / Terrace
2018.9.4a-b – Alastair Lake
2018.9.5a-b – Salvus, Coast District Range 5
2018.9.6a-d – Ecstall River / Port Essington
2018.9.7a-g – Kitimat Arm, Kildala River, Mt. Aetna, Mount Elizabeth, Mount Davies, private logging roads
Maps were collected and annotated by Gisela Mendel throughout her time in northwest BC and donated to the Museum in 2018.
Scope and Content
23 maps of northwestern British Columbia, from the Seven Sisters westward to Port Essington.
2018.9.1a-b – Seven Sisters / Dorreen
2018.9.2a-c – Usk / Chist Creek
2018.9.3a-c – Lakelse / Terrace
2018.9.4a-b – Alastair Lake
2018.9.5a-b – Salvus, Coast District Range 5
2018.9.6a-d – Ecstall River / Port Essington
2018.9.7a-g – Kitimat Arm, Kildala River, Mt. Aetna, Mount Elizabeth, Mount Davies, private logging roads
Photographs of the construction of the Kitimat Ice Rink and its glulams. Photos show construction in progress, framework, interior shots, and machinery. Spring 1964.
Photographs of the construction of the Kitimat Ice Rink and its glulams. Photos show construction in progress, framework, interior shots, and machinery. Spring 1964.
Photographs of the construction of the Kitimat Ice Rink and its glulams. Photos show construction in progress, framework, interior shots, and machinery. Spring 1964.
Photographs of the construction of the Kitimat Ice Rink and its glulams. Photos show construction in progress, framework, interior shots, and machinery. Spring 1964.
Photographs showing general ground and aerial shots of the Ocelot methanol plant throughout its construction.
Notes
7357-(13,14,16), 80-6-(008,011), 80-7-(051,052), 80-8-(069,073), 80-9-089, 81-01-(147,148,151), 81-03-(179,183,189,200), 81-04-208, Roll 14-No4, Roll 17-(No8,19), 81-07-(380,381,384), 81-09-(441,443,448,449,450), 81-10-(481 to 485,488,498,503,504,506 to 509), 31-9A, 82-03-(820 to 824), 82-06-(953,954,956,958,963,964), 82-07-(979 to 985), 82-08-(996,1001,1004,1006,1009,1014,1018,1035,1051,1056, 1082 to 1089), 82-09-(1118 to 1124), 82-10-(1165,1167,1168,1191,1192), 85-01-(1317,1325,1330), 85-05-(1350,1353,1354), 85-06-(1355,1356)
One photograph of Kitimat Night School "Talking Shop" Mrs. Rosalie Gray (teacher) and Jean Kintsos (14 May 1957). One photograph of unknown construction workers in Kitimat (no date).
Photographs taken by James Tirrul-Jones in his role as museum curator.
Scope and Content
One photograph of Kitimat Night School "Talking Shop" Mrs. Rosalie Gray (teacher) and Jean Kintsos (14 May 1957). One photograph of unknown construction workers in Kitimat (no date).
Notes
983.42.1 to 5 (Missing 2 to 4) : R51-0a and R51-4a
John Ware was a past employee of the Kitimat Town Planning Department (1957-1959). He was hired by Hollister Kent, Planning Director for Kitimat. During his two years here, Dr. ware designed the first Kitimat street signs, the Haisla Boulevard overpass, and the Hirsch Creek Park shelter centennial project (1858-1958). He was layed off when Alcan lost major Aluminum buyers and the town expansion halted, resulting in a cut back of Kirtimat employees. He then moved to the USA.
Custodial History
Donated by John Ware.
Scope and Content
Photographs of the Hirsch Creek shelter planning, construction, and completed structure.
Three black & white images show planning. One concept sketch, and two copies of a plan showing different angles of the structure.
Two colour images of construction showing interior
Two sepia images showing completed structure and view of interior
One small black & white image of near completion, with construction sacffolding on outer wall. A woman is next to it.
Four black & white images of completed roof. Woman standing on roof in one.
Ten black & white images of completed structure in winter. Sculpture is visible.
Notes
Further info on the shelter - the shelter was one of about five ideas that John Ware was asked to come up with by the Kitimat Centennial Committee. He then decided the this version would be the one to fit the build. The yellow glazed bricks were imported from Texas, even though they were ordered from a Canadian firm. He wanted a bright permanent colour that would require little maintenece. The 'sculpture' was made of pieces of triangular sheet steel on steel supports, with a colored enamel finish - similar to the original fireplace, which was red. The triangular sheets that made up the sculpture yellow and green? and intended to look like steel fir trees. The likely reason the sculpture was removed was that there was a fear if anyone climbed onto the shelter and jump down, they may impale themselves on the sharp steel.
