Framed painting by Des Edwards titled Kitimat River Winter Scene. Features a watercolour painting of a snowy Kitimat River with mountains in background.
Framed painting by Des Edwards titled Kitimat River Winter Scene. Features a watercolour painting of a snowy Kitimat River with mountains in background.
Painting of two boats at sunset on Green Lake in Caribou BC.
Physical Condition
fair
Material
paint
paper board
Technique
painted
Condition Remarks
some damage to painting surface
Height
56 cm
Length
91 cm
Accession Number
2012.4
Biographical Notes
Olie moved to Kitimat in 1952 with her two daughters to join her husband Art. In 1954, Art and Olie opened their hardware store, Coghlin's Hardware. In 1977 the store was closed when they decided to retire. Both of them decided to remain in Kitimat after retirement, and spent their time travelling, and pursuing hobbies. One of which for Olie was painting. Olie did many paintings, but could never bring herself to sell them. They were only given to friends family as she considered her paintings as only a hobby, and not a job to earn money.
Painting by Paul Windsor; acrylic on red cedar. Rectangular in shape with slightly rounded top and bottom edges. Depicts animal and human figures in yellow, brown, reddish-brown, and black. Sides of painting are black. Back of painting has a metal wire for hanging.
Painting by Paul Windsor; acrylic on red cedar. Rectangular in shape with slightly rounded top and bottom edges. Depicts animal and human figures in yellow, brown, reddish-brown, and black. Sides of painting are black. Back of painting has a metal wire for hanging.
Physical Condition
Excellent
Material
cedar
Technique
painted, hand
freestyle brush
Culture
Haisla
Height
3 cm
Width
34.5 cm
Length
56 cm
Inscriptions
"The Trail of the Wildest. (C) Paul C.E. Windsor 2018. Generation Haisluk."
Date Range
2018
Accession Number
2022.38.1
Biographical Notes
Paul Windsor is a Haisla and Heiltsuk artist born and raised in Kitimat and currently based in Vancouver. He specializes in paintings on wood and paper, and has also created designs for many different commercially-available products.
Painting by Paul Windsor; acrylic paint on a rectangular piece of red cedar. Various figures, including a young Haisla man singing and playing a drum, are depicted in a variety of colours: brown, red, black, reddish-brown, turquoise, light green, orange, and white.
Windsor describes this piece as "an illustration of a young person singing and drumming the songs alive. Behind him, embedded in the Earth, are his ancestors. Music notes emanate from his presence as he drums and sings. His drum, also the Moon in the Sky, is also woven with a Raven, representing that history and the Legend of the Moon, and the Blackfish, killer whale and fish clan crest design, representing our Matriarch passage."
Painting by Paul Windsor; acrylic paint on a rectangular piece of red cedar. Various figures, including a young Haisla man singing and playing a drum, are depicted in a variety of colours: brown, red, black, reddish-brown, turquoise, light green, orange, and white.
Windsor describes this piece as "an illustration of a young person singing and drumming the songs alive. Behind him, embedded in the Earth, are his ancestors. Music notes emanate from his presence as he drums and sings. His drum, also the Moon in the Sky, is also woven with a Raven, representing that history and the Legend of the Moon, and the Blackfish, killer whale and fish clan crest design, representing our Matriarch passage."
Paul Windsor is a Haisla and Heiltsuk artist born and raised in Kitimat and currently based in Vancouver. He specializes in paintings on wood and paper, and has also created designs for many different commercially-available products.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of a red and white helicopter at smeltersite. There is a group of people standing outside of it. In the background are the potlines.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of Alcan smeltersite construction in the early 1950s. Smelter buildings, smeltersite, and Kitimat River estuary visible.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of Alcan smeltersite construction in the early 1950s. Smelter buildings, smeltersite, and Kitimat River estuary visible.
Photograph of Alcan smeltersite construction in the early 1950s. Smelter buildings, smeltersite, and Kitimat River estuary visible. View is from very high up. Snowy mountains on each side.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of Alcan smeltersite construction in the early 1950s. Smelter buildings, smeltersite, and Kitimat River estuary visible. View is from very high up. Snowy mountains on each side.
Photograph of very high aerial view of the Alcan smeltersite. Smeltersite is on the left. Kitimat river estuary is on the right, and Douglas Channel below. Snowy mountain range on the sides and in the background.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of very high aerial view of the Alcan smeltersite. Smeltersite is on the left. Kitimat river estuary is on the right, and Douglas Channel below. Snowy mountain range on the sides and in the background.
Photograph of aerial of the Alcan smeltersite and project. Alcan smelter and smeltersite homes are along the left, running to the bottom. Kitimat River estuary is on the right.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of aerial of the Alcan smeltersite and project. Alcan smelter and smeltersite homes are along the left, running to the bottom. Kitimat River estuary is on the right.
Photograph of aerial view of of Douglas Channel and smeltersite in the 1950s. Smeltersite is at the far left, and Kitimat River estuary is to the right of it.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of aerial view of of Douglas Channel and smeltersite in the 1950s. Smeltersite is at the far left, and Kitimat River estuary is to the right of it.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of aerial of smeltersite. Alcan buildings and smeltersite towards the top. To the right is the Kitimat River estuary.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of Alcan smeltersite and Douglas Channel. Smeltersite if on the left, and Kitimat River estuary is on the right.
Photograph of aerial of the Alcan smeltersite. Smeltersite homes are on the left, and the Alcan smelter behind. Potlines look complete. Smoke coming from potlines, and area behind. Kitimat River estuary on the right.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of aerial of the Alcan smeltersite. Smeltersite homes are on the left, and the Alcan smelter behind. Potlines look complete. Smoke coming from potlines, and area behind. Kitimat River estuary on the right.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of aerial of the Alcan smeltersite and Douglas Channel. Kitimat River estuary on right.
Photograph of aerial of Alcan smeltersite and pier. The pier, with a ship docked, is in the foreground. The smelter is in the background, and there is smoke coming from the potlines, as well as a clearing to the right of it.
From the years 1953-1958, Mike Kinnear took photos during his school years, until graduation, while working for Fred Ryan Ltd. after school and holidays. Photos for him was a hobby, and he took many photos of the smelter and townsite as it grew around him. Mike also took a number of photos for the Kitimat Northern Sentinel, during the Ken Brumley and Pixie Meldrum years as editors. Mike and his family left Kitimat in 1958, but he spent the best part of 40 years in the photographic field, mainly in the retail/wholesale part of the photo industry.
Custodial History
Donated by Margaret and Mike Kinnear.
Scope and Content
Photograph of aerial of Alcan smeltersite and pier. The pier, with a ship docked, is in the foreground. The smelter is in the background, and there is smoke coming from the potlines, as well as a clearing to the right of it.
