6 Oct 1980
16 Apr 1981
4 May 1981
(3,10) Dec 1981
18 Jan 1982
8 Feb 1982
24 Aug 1982
17 Oct 1982
Physical Description
23 photograph prints : color
19 photograph prints : b&w
27 negatives
Custodial History
Photographs taken by Max Patzelt.
Scope and Content
Photographs showing interior and exterior views of different buildings on the Ocelot site.
Notes
Roll 5-(No5A,No7A,No8A), Roll 12-(No10,No15), Roll 15-No5, 81-12-(596,612,614,620,624), 82-01-702, 82-02-(737,740,743,790 to 793,795,796,801), Roll 33-(12,15,23,25,32,34), Roll 34-11, 82-10-(1176,1183,1187,1194,1195,1200 to 1203,1206,1208,1210,1211)
John Ware was a past employee of the Kitimat Town Planning Department (1957-1959). He was hired by Hollister Kent, Planning Director for Kitimat. During his two years here, Dr. ware designed the first Kitimat street signs, the Haisla Boulevard overpass, and the Hirsch Creek Park shelter centennial project (1858-1958). He was layed off when Alcan lost major Aluminum buyers and the town expansion halted, resulting in a cut back of Kirtimat employees. He then moved to the USA.
Custodial History
Donated by John Ware.
Scope and Content
Photographs of the Hirsch Creek shelter planning, construction, and completed structure.
Three black & white images show planning. One concept sketch, and two copies of a plan showing different angles of the structure.
Two colour images of construction showing interior
Two sepia images showing completed structure and view of interior
One small black & white image of near completion, with construction sacffolding on outer wall. A woman is next to it.
Four black & white images of completed roof. Woman standing on roof in one.
Ten black & white images of completed structure in winter. Sculpture is visible.
Notes
Further info on the shelter - the shelter was one of about five ideas that John Ware was asked to come up with by the Kitimat Centennial Committee. He then decided the this version would be the one to fit the build. The yellow glazed bricks were imported from Texas, even though they were ordered from a Canadian firm. He wanted a bright permanent colour that would require little maintenece. The 'sculpture' was made of pieces of triangular sheet steel on steel supports, with a colored enamel finish - similar to the original fireplace, which was red. The triangular sheets that made up the sculpture yellow and green? and intended to look like steel fir trees. The likely reason the sculpture was removed was that there was a fear if anyone climbed onto the shelter and jump down, they may impale themselves on the sharp steel.
