Photo showing from left to right: Annabelle Bolton, Amelia Gray, Hanna Morrison, Gladys Amos, Grace Bolton, Maria Wilson, may queen and her attendants with band in back at Kitamaat Village
1 photograph: b&w; 9 x 12 cm
1 photograph: b&w; 9 x 12 cm
Scope and Content
Photo showing from left to right: Annabelle Bolton, Amelia Gray, Hanna Morrison, Gladys Amos, Grace Bolton, Maria Wilson, may queen and her attendants with band in back at Kitamaat Village
Notes
Same photo as 984.64.33 (R76-33) and 71.7.1.29. Annabelle Bolton married Woods, 2nd marriage Robinson at Hartley Bay. Amelia Gray married Grant. Hanna Morrison married Smith died 1969. Gladys Amos married Jonathon Morrison. Grace Bolton died tbc. Marian Wilson died unmarried. Kept extra photo that has marriage information.
Photograph of Micah Shaw carving a canoe with possibly Charlie Shaw, his son, and heating rocks for the steaming with a boat in background.
Notes
According to Mike Robinson, the small winding creek at the far right as known as Qwenish, and was a route the Haida would sometims take inland to raid the Haisla.
Part of series of seven photographs depicting the construction of a canoe using traditional tools and methods.
Photo depicts a International diesel TD-24 spreading a layer of large stones at the base of the Nechako Dam.
Notes
ID no. C 5927. -- Title based on content of photo. -- These layers of various size rock stone and clay will all slope towards the rock fill at about a 45 degree pitch. Official naming ceremony renamed dam the Kenney Dam. Hal Whiting Collection 985.65.56
Photograph of a painting of the townsite camp as it was in 1952. The painting shows the camp in the distance in winter. There are trees and tree stumps in the foreground. On the right is a cougar.
The painter was Art Appleton, one of the dishwashers at the camp. He was believed to be about 45 years old and a bachelor. He was blind in one eye and painted with his good eye. He later committed suicide.
Scope and Content
Photograph of a painting of the townsite camp as it was in 1952. The painting shows the camp in the distance in winter. There are trees and tree stumps in the foreground. On the right is a cougar.
Photograph showing P.W. Taylor standing by his painting. This is a sample of the artist's exhibit in the Rec Hall.This particular scene was Mr. Taylor's first this year and was sparked with early spring inspiration.
Photograph showing P.W. Taylor standing by his painting. This is a sample of the artist's exhibit in the Rec Hall.This particular scene was Mr. Taylor's first this year and was sparked with early spring inspiration.
Notes
P.W. Taylor was a prolific painting from Sooke, B.C.
Where ever he goes throughout Kitimat, artist P.W. Taylor has found people of all ages show keen interest in his work. "There seems to be a tremendous revival of interest in the artist and his work, and Kitimat is no exception," commented Mr. Taylor. He is seen painting the smeltersite district accompanied by two young and interested viewers.
Where ever he goes throughout Kitimat, artist P.W. Taylor has found people of all ages show keen interest in his work. "There seems to be a tremendous revival of interest in the artist and his work, and Kitimat is no exception," commented Mr. Taylor. He is seen painting the smeltersite district accompanied by two young and interested viewers.
Photo depicts the unlined rock tunnel of horizontal penstock No. 2 at Elevation 210'. View is looking at platform at base of 48 degree inclined raise to 1685' Elevation.
Photo depicts the unlined rock tunnel of horizontal penstock No. 2 at Elevation 210'. View is looking at platform at base of 48 degree inclined raise to 1685' Elevation.
Notes
Alcan ID no. 2KR-10. -- Penstock No. 2 was completed after the smelter had started aluminum production in 1954 with Penstock No. 1. Alcan Collection